Rec, 2006, 
2 min 55 s, colour, sound
Courtesy of the artist

Hugo Alonso is an artist working in Salamanca (Spain). His training as a painter lurks behind his audiovisual creative work, which stands out for its devilish editing influenced by film-makers like Chris Cunningham and musicians on the electronic scene like Aphex Twin.

In recent years his work has leaned towards multidisciplinary dialogues with the history of film. This music video is conceived as a remake of the film Peeping Tom (Michael Powell, 1960) condensed into less than three minutes. What at first looks like a striptease in a sordid domestic setting gives way to a menacing relationship of submission, which thanks to the magic of the editing and the stop-motion technique turns into a psychedelic nightmare in which the spectator takes the final decision over the fate of the characters. The soundtrack is also by the artist.

Joseph Beuys

Joseph Beuys

Dara Birnbaum

Dara Birnbaum

John Sanborn, Kit Fitzgerald (Antarctica)

John Sanborn, Kit Fitzgerald (Antarctica)

Pipilotti Rist

Pipilotti Rist

Bjørn Melhus

Bjørn Melhus

Charley Case

Charley Case

Olaf Breuning

Olaf Breuning

Cheryl Donegan

Cheryl Donegan

Ana Laura Aláez

Ana Laura Aláez

Marc Bijl

Marc Bijl

Carles Congost

Carles Congost

Joan Morey

Joan Morey

 Adel Abidin

Adel Abidin

Hugo Alonso

Hugo Alonso

Charles Atlas

Charles Atlas

Jesús Hernández

Jesús Hernández

César Pesquera

César Pesquera

Jorge Galindo and Santiago Sierra

Jorge Galindo and Santiago Sierra

Remembering the Future

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How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.

Return from Vienna

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Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

 Who Is Pablo Picasso?

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