Rec, 2006,
2 min 55 s, colour, sound
Courtesy of the artist
Hugo Alonso is an artist working in Salamanca (Spain). His training as a painter lurks behind his audiovisual creative work, which stands out for its devilish editing influenced by film-makers like Chris Cunningham and musicians on the electronic scene like Aphex Twin.
In recent years his work has leaned towards multidisciplinary dialogues with the history of film. This music video is conceived as a remake of the film Peeping Tom (Michael Powell, 1960) condensed into less than three minutes. What at first looks like a striptease in a sordid domestic setting gives way to a menacing relationship of submission, which thanks to the magic of the editing and the stop-motion technique turns into a psychedelic nightmare in which the spectator takes the final decision over the fate of the characters. The soundtrack is also by the artist.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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