Ear to the Ground (Yere Kulak Ver), 1982
4 dak. 25 s., renkli, sesli
New York, Electronic Arts Intermix (EAI) izniyle
John Sanborn video sanatının öncülerinden biridir. Ear to the Ground’da performans sanatçısı David Van Tieghem, Manhattan’ı bir müzik enstrümanı gibi kullanır, kaldırım, binalar ve telefon kulübelerinin yüzeylerine vurarak yaratıcı perküsyon sesleri çıkarır. Bu performans çeşitli ticari müzik videolarında defalarca taklit edilmiştir.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
