Ear to the Ground (Yere Kulak Ver), 1982
4 dak. 25 s., renkli, sesli
New York, Electronic Arts Intermix (EAI) izniyle
John Sanborn video sanatının öncülerinden biridir. Ear to the Ground’da performans sanatçısı David Van Tieghem, Manhattan’ı bir müzik enstrümanı gibi kullanır, kaldırım, binalar ve telefon kulübelerinin yüzeylerine vurarak yaratıcı perküsyon sesleri çıkarır. Bu performans çeşitli ticari müzik videolarında defalarca taklit edilmiştir.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.
Organized in collaboration with the Giacometti Foundation, Paris, the exhibition explores Giacometti’s prolific life, most of which the artist led in his studio in Montparnasse, through the works of his early period as well his late work, including one unfinished piece. Devoted to Giacometti’s early works, the first part of the exhibition demonstrates the influence of Giovanni Giacometti, the father of the artist and a Swiss Post-Impressionist painter himself, on Giacometti’s output during these years and his role in his son’s development.
Nam June Paik was video art’s pioneer (1932 –2006). It is interesting that while Warhol and Nameth were experimenting with psychedelic happenings that combined rock, film and performance, the video art pioneers Nam June Paik, Stephen Beck, Eric Siegel and Steina Vasulka were researching in a similar direction.
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