Friday, June 18, 1999, City of London, 1999 Super 8 transferred to DVD, b/w, sound
, 8 min 12 s
Courtesy of Argos, Brussels
The liberating potential of dance to ‘take the streets’, which the situationists defended at some point in May 68 in a foretaste of the festive activism of movements like 15 M, are poetically reflected in Charley Case’s Friday, June 18, 1999, City of London, a black and white film shot in super 8 that documents –to the rhythm of a tango- a street party organised by the Reclaim the Streets collective, well-known for activities of this sort, which return to the subversive potential of carnival and techno raves in the practice of occupying and repoliticising public space.
It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Knowledge of plants and the practice of healing are closely entwined. The toxic or hallucinogenic nature of some roots, and the dangers associated with picking them, conferred a mythical or magical character and power.
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