I'm a Victim of This Song, 1995
, 5 min 6 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
The Swiss artist Pipilotti Rist appropriates the song Wicked Game, by the American singer Chris Isaak, and what was originally a romantic performance imitating the archetypal crooner style of the 1950s becomes a hallucinogenic fantasia in which images from his personal diary are combined with psychedelic colours that lead the music into the realm of dreams and memory. The song is performed by the artist herself with her voice with the collaboration of one of her sons, who at times distorts his voice to extremes of horror.
How can the future be imagined by looking at a collection or an archive? The lasting quality of ceramics allows us to ponder how the future might be remembered through a ceramics collection, since they render conceivable time eternal.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
