I'm a Victim of This Song, 1995
, 5 min 6 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
The Swiss artist Pipilotti Rist appropriates the song Wicked Game, by the American singer Chris Isaak, and what was originally a romantic performance imitating the archetypal crooner style of the 1950s becomes a hallucinogenic fantasia in which images from his personal diary are combined with psychedelic colours that lead the music into the realm of dreams and memory. The song is performed by the artist herself with her voice with the collaboration of one of her sons, who at times distorts his voice to extremes of horror.
Pera Museum’s Cold Front from the Balkans exhibition curated by Ali Akay and Alenka Gregorič brings together contemporary artists from Albania, Bosnia and Herzegovina, Bulgaria, Croatia, Kosovo, Macedonia, Montenegro, Romania, Serbia and Slovenia.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Mersad Berber was born in Bosanski Petrovac, Kingdom of Yugoslavia, on January 1st. He was the first son of Muhammed Berber and Sadika Berber, a well-known weaver and embroiderer. A year later, the family moved to Banja Luka after the city had suffered damage from the World War II.
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