Todo el tiempo, 2010
, 5 min 15 s, colour, sound (music: Glez)
Courtesy of NYSUfilms
In Todo el tiempo, Jesús Hernández, with musical backing by Glez (alias Amaro Ferreiro), created a disturbing ‘last supper’ plagued with pictorialist references to and mentions of the tenebrist aesthetic and the still lifes of the Baroque tradition. With painstaking staging and a virtuoso use of the stop- motion technique, he presents us with a surprising gallery of characters who are disturbing one moment and hilarious the next. Black humour and audiovisual experimentation at the service of a story suspended in time, in which the tension keeps growing until we reach the unexpected end.
You try to remember the future. A bird painted on the ceramic panel in a historical palace has found its place on the wall. The tiles of a church and a mosque have been painted on canvas. The pattern of a centuries-old ceramic plate appears before you on a velvet curtain.
Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
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