Sonne Statt Reagan, 1982
, 1 min 58 s, colour, sound (music: Die Deserteure)
Courtesy of ARD TV / Bananas, Westdeutscher Rundfunk Köln
It has been said that for Joseph Beuys music swings between the extreme positions of silence and din, and perhaps because he believed that ‘every man is an artist’ – and what’s more shows it in front of large audiences – he also tried his luck as a pop singer, as part of his political commitment. In 1982, in a mixture of masquerade and activism, he infiltrated the Bananas programme on the German television channel ARD (07/03/1982), on which bands like Depeche Mode and Foreigner performed. Backed by the group Die Deserteure, he sang his song Sonne Statt Reagan, an attack on Ronald Reagan’s arms policies and a reaffirmation of his ecological commitment, on a programme with a wide audience broadcast to coincide with various demonstrations by pacifist movements in Germany. The song was eventually released as a single.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs.
Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined.
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