Sonne Statt Reagan, 1982
, 1 min 58 s, colour, sound (music: Die Deserteure)
Courtesy of ARD TV / Bananas, Westdeutscher Rundfunk Köln
It has been said that for Joseph Beuys music swings between the extreme positions of silence and din, and perhaps because he believed that ‘every man is an artist’ – and what’s more shows it in front of large audiences – he also tried his luck as a pop singer, as part of his political commitment. In 1982, in a mixture of masquerade and activism, he infiltrated the Bananas programme on the German television channel ARD (07/03/1982), on which bands like Depeche Mode and Foreigner performed. Backed by the group Die Deserteure, he sang his song Sonne Statt Reagan, an attack on Ronald Reagan’s arms policies and a reaffirmation of his ecological commitment, on a programme with a wide audience broadcast to coincide with various demonstrations by pacifist movements in Germany. The song was eventually released as a single.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
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