Sonne Statt Reagan, 1982
, 1 min 58 s, colour, sound (music: Die Deserteure)
Courtesy of ARD TV / Bananas, Westdeutscher Rundfunk Köln
It has been said that for Joseph Beuys music swings between the extreme positions of silence and din, and perhaps because he believed that ‘every man is an artist’ – and what’s more shows it in front of large audiences – he also tried his luck as a pop singer, as part of his political commitment. In 1982, in a mixture of masquerade and activism, he infiltrated the Bananas programme on the German television channel ARD (07/03/1982), on which bands like Depeche Mode and Foreigner performed. Backed by the group Die Deserteure, he sang his song Sonne Statt Reagan, an attack on Ronald Reagan’s arms policies and a reaffirmation of his ecological commitment, on a programme with a wide audience broadcast to coincide with various demonstrations by pacifist movements in Germany. The song was eventually released as a single.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
We meet at Marcel Dzama’s studio in Brooklyn on the occasion of his solo exhibition Dancing with the Moon at Pera Museum. On this freezing day in January, he welcomes us with a warm smile, and for a few hours, we step into his world filled with surreal characters, music, dance, politics, and play.
A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.
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