Un Mystique Determinado, 2003, 17 min 25 s, colour, sound
Courtesy of the artist
Carles Congost works with different media on the processes of creating and producing art works and the way in which they are interwoven with everyday life. His work analyses the meetings between high and low culture in artistic expressions ranging from design to music and from the fashion of youth subcultures to the advertising industry. Un Mystique Determinado has been described as ‘a small rock opera, made up of songs by the group Astrud’. From the start there is a reference to the musical format, which in this case serves to reveal an existential drama marked by the identity crisis of a sportsman/artist. A football player suddenly feels the calling of artistic inspiration, of what he calls mystique, and decides to give up his career in sport. The work serves to explore and critique stereotypes on art and artists that circulate in our societies and the various hierarchies and ideologies that operate within this context. Values that are heir to the romantic idea of the artist as inspiration, originality, authorship, are light-heartedly reviewed from the point of view of a video-artist. A likeness of the artist himself? The work includes a brilliant performance by Pablo Rivero, who is well known for his appearances in very popular television series and who has become a talismanic actor for Carles Congost.
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.
Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.
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