Acid Rock, 1982
, 4 min 9 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Since the end of the 1970s Dara Birnbaum has been making videos and installations in different formats with which she tries to recontextualise and subvert the icons of pop culture and the mass- media archetypes related to the consumer society and television. This is why her works sometimes take the form of telefilms, soap operas, sports programmes, publicity spots or music videos, into which she inserts subtexts that critically deconstruct the underlying ideology of the images. This is the approach taken in Acid Rock, a video made in 1982 for Documenta 7 in Kassel, during the period when the MTV music video channel flourished and had most influence in the American music industry. Dara Birnbaum recomposes the Doors’ song L.A. Woman and appropriates elements from advertising as though they were ready-mades, turning them into a feminist and anti-consumer tirade criticising the sexism of television advertising.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
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