Channeling in 4 Versions, 2001,
4 min 50 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Cheryl Donegan’s work integrates experimental video narrative with other forms such as painting, drawing and installation. Her videos put a subversive spin on issues of gender, art history and pop culture. Channeling in 4 Versions develops a dream fantasy that mixes television comedy and psychedelia, starting with the music of the rock opera Tommy, by The Who (1969), and the 1970s film of the same name starring Ann-Margret.
The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.
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