Channeling in 4 Versions, 2001,
4 min 50 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Cheryl Donegan’s work integrates experimental video narrative with other forms such as painting, drawing and installation. Her videos put a subversive spin on issues of gender, art history and pop culture. Channeling in 4 Versions develops a dream fantasy that mixes television comedy and psychedelia, starting with the music of the rock opera Tommy, by The Who (1969), and the 1970s film of the same name starring Ann-Margret.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
He didn’t expect this from me. And I hadn’t expected that we would decide to get married that day, at that moment. Everything happened all of a sudden, but exactly like it was supposed to happen in our day. We thought of the idea of marriage simultaneously, we smiled simultaneously, blinking and opening our eyes in unison.
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