Channeling in 4 Versions, 2001,
4 min 50 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Cheryl Donegan’s work integrates experimental video narrative with other forms such as painting, drawing and installation. Her videos put a subversive spin on issues of gender, art history and pop culture. Channeling in 4 Versions develops a dream fantasy that mixes television comedy and psychedelia, starting with the music of the rock opera Tommy, by The Who (1969), and the 1970s film of the same name starring Ann-Margret.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
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