Channeling in 4 Versions, 2001,
4 min 50 s, colour, sound
Courtesy of Electronic Arts Intermix (EAI), New York
Cheryl Donegan’s work integrates experimental video narrative with other forms such as painting, drawing and installation. Her videos put a subversive spin on issues of gender, art history and pop culture. Channeling in 4 Versions develops a dream fantasy that mixes television comedy and psychedelia, starting with the music of the rock opera Tommy, by The Who (1969), and the 1970s film of the same name starring Ann-Margret.
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
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