Todo el tiempo, 2010
, 5 min 15 s, colour, sound (music: Glez)
Courtesy of NYSUfilms
In Todo el tiempo, Jesús Hernández, with musical backing by Glez (alias Amaro Ferreiro), created a disturbing ‘last supper’ plagued with pictorialist references to and mentions of the tenebrist aesthetic and the still lifes of the Baroque tradition. With painstaking staging and a virtuoso use of the stop- motion technique, he presents us with a surprising gallery of characters who are disturbing one moment and hilarious the next. Black humour and audiovisual experimentation at the service of a story suspended in time, in which the tension keeps growing until we reach the unexpected end.
Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina.
José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.
Istanbul’s Seaside Leisure: Nostalgia from Sea Baths to Beaches exhibition brought together photographs, magazines, comics, objects, and books from various private and institutional collections, and told a nostalgic story while also addressing the change and socialization of the norms of how Istanbulites used their free time. Istanbul’s Seaside Leisure was a documentary testament of the radical transformations in the Republic’s lifestyle.
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