No Sunshine, 1997, 
5 min, colour, sound

Courtesy of the artist and of Galerie Anita Beckers, Frankfurt

Bjørn Melhus makes short films that are conceived as fairy stories, featuring himself. In No Sunshine, a video influenced by the aesthetic of the music video and by advertising, four identical-looking characters communicate in pairs through snatches of pop songs and occasionally look straight at the camera as though questioning or flirting with the spectator. Strange, childish-looking bodies seem to float in a virtual space which is at the same time their
own inner world. Red is the dominant colour in this electronically created virtual world in which the characters have artificial hair – like Playmobil figures – and tight clothes, bringing to mind the human clones of science-fiction television series. The characters seem to be sexually neuter but among them we can sense looks, caresses and timidly seductive attitudes that speak of repressed desires.

Joseph Beuys

Joseph Beuys

Dara Birnbaum

Dara Birnbaum

John Sanborn, Kit Fitzgerald (Antarctica)

John Sanborn, Kit Fitzgerald (Antarctica)

Pipilotti Rist

Pipilotti Rist

Bjørn Melhus

Bjørn Melhus

Charley Case

Charley Case

Olaf Breuning

Olaf Breuning

Cheryl Donegan

Cheryl Donegan

Ana Laura Aláez

Ana Laura Aláez

Marc Bijl

Marc Bijl

Carles Congost

Carles Congost

Joan Morey

Joan Morey

 Adel Abidin

Adel Abidin

Hugo Alonso

Hugo Alonso

Charles Atlas

Charles Atlas

Jesús Hernández

Jesús Hernández

César Pesquera

César Pesquera

Jorge Galindo and Santiago Sierra

Jorge Galindo and Santiago Sierra

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.

Fluid Identities  Creating an Identity / Hybrid Identities

Fluid Identities Creating an Identity / Hybrid Identities

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.