Director: Andrei Tarkovsky
Cast: Natalya Bondarchuk, Donatas Banionis, Jüri Järvet
Soviet Union, 1972, 169’, color, black & white
Russian with Turkish subtitles
Undoubtedly one of the most profound and influential genre films ever, Tarkovsky's masterpiece strains the boundaries of sci-fi at every turn. The director doesn't quite bother with futuristic vistas (the film's lone city scene was simply shot in contemporary Tokyo), concentrating on the barren "soulscapes" of the characters. Among the pleasures missing from the recent, fair Hollywood remake are the many mirror-hall ambivalences of the coda and Eduard Artemiev's astonishing score (played on primitive synthesizers). - by Robert Skotak
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 80 TL
Discounted: 40 TL
Groups: 60 TL (minimum 10 people)
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