Director: Andrei Tarkovsky
Cast: Alisa Freyndlikh, Aleksandr Kaydanovskiy, Anatoliy Solonitsyn
Soviet Union, 1979, 163’, color, black & white
Russian with Turkish subtitles
While Solaris is considered the pinnacle of Tarkovsky's engagement with the fantastical, Stalker has its many defendants. Arguably the most accessible of Tarkovsky's films, this philosophical fable employs the roughest outlines of a novel by Soviet sci-fi writers Arkady and Boris Strugatsky. A mysterious Zone is said to contain a room that grants wishes; the Stalker will take you there for a fee, past military checkpoints and more obscure dangers. A clear imprint of this terse, laconic film is still felt in such apocalyptic hits as 28 Days Later. - by Robert Skotak
Trailer
Having penetrated the Balkans in the fourteenth century, conquered Constantinople in the fifteenth, and reached the gates of Vienna in the sixteenth, the Ottoman Empire long struck fear into European hearts.
In 1998 Ben Jakober and Yannick Vu collaborated on an obvious remake of Marcel Duchamp’s Roue de Bicyclette, his first “readymade” object. Duchamp combined a bicycle wheel, a fork and a stool to create a machine which served no purpose, subverting accepted norms of art.
Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.
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Tuesday - Saturday 10:00 - 19:00
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The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
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