History of Italian Cinema

  • May 4, 2014 / 12:30
  • May 14, 2014 / 16:00

Director: Carlo Lizzani
Italy, 165’, 1992, color

Italian with Turkish subtitles

So what is neorealism? André Bazin called it a cinema of 'fact' and 'reconstituted reportage', having its antecedents in the anti-Fascist movement with which these directors identified. Although they owed a debt to Renoir (with whom both Luchino Visconti and Michelangelo Antonioni had worked), the neo-realists respected the entirety of the reality they filmed. For a more scholarly documentary approach, this documentary by Carlo Lizzani produced in 1992 as the "Antologia del Cinema Italiano" series, covers neorealism in a very wide scope from 1942 to 1954.

Rome, Open City

Rome, Open City

Paisan

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Stromboli

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Umberto D

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I Vitelloni

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Journey to Italy

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Banditi a Orgosolo

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Cesare Zavattini

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History of Italian Cinema

History of Italian Cinema

Fluid Identities  Creating an Identity / Hybrid Identities

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A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards. Today, the collection can be considered one of the most important and outstanding examples among the rare, consciously created, and long-lasting ones of its kind in Turkey.

The Rat Tribe Sim Chi Yin

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A Photographer’s Biography Ali Sami Aközer

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Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.