Director: Carlo Lizzani
Italy, 165’, 1992, color
Italian with Turkish subtitles
So what is neorealism? André Bazin called it a cinema of 'fact' and 'reconstituted reportage', having its antecedents in the anti-Fascist movement with which these directors identified. Although they owed a debt to Renoir (with whom both Luchino Visconti and Michelangelo Antonioni had worked), the neo-realists respected the entirety of the reality they filmed. For a more scholarly documentary approach, this documentary by Carlo Lizzani produced in 1992 as the "Antologia del Cinema Italiano" series, covers neorealism in a very wide scope from 1942 to 1954.
When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.
Inspired by the exhibition Istanbuls Today, Today's Stories series continues with Hande Ortaç's story "Felis"! This series gathers short stories written by authors encouraged by the photographs in the exhibition.
Mersad Berber (1940-2012), is one of the greatest and the most significant representatives of Bosnian-Herzegovinian and Yugoslav art in the second half of the 20th century. His vast body of expressive and unique works triggered the local art scene’s recognition into Europe as well as the international stage.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
