Cesare Zavattini

  • May 9, 2014 / 18:00
  • May 30, 2014 / 18:00

Director: Carlo Lizzani
Italy, 68, 2003, color
Italian with Turkish subtitles

This "portrait" of Zavattini is a travel through the entire history of Italian cinema from the 1930s to the 1970s. It also reveals the many mysteries of the Neorealist season, the era that ushered Italian cinema onto world stage, but which had already laid down its foundations in the preceding war years, and which cast its shadow over many works made during the following decades. Only through an examination of the complex, sometimes contradictory, and even provocative personality of Zavattini, can the audience come to a better understanding of the coexistence of imagination and reality that was one of the main characteristics of Neorealism.

 

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Five Unmissable Istanbul Paintings of Félix Ziem

Five Unmissable Istanbul Paintings of Félix Ziem

The exhibition Wanderer on the Sea of Light presents Ziem as an artist who left his mark on 19th century painting and who is mostly known for his paintings of Istanbul and Venice, where the city and the sea are intertwined. Take a look at this 5 unmissable Istanbul paintings from the exhibition!

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.

The Conventions of Identity

The Conventions of Identity

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.