Director: Carlo Lizzani
Italy, 68, 2003, color
Italian with Turkish subtitles
This "portrait" of Zavattini is a travel through the entire history of Italian cinema from the 1930s to the 1970s. It also reveals the many mysteries of the Neorealist season, the era that ushered Italian cinema onto world stage, but which had already laid down its foundations in the preceding war years, and which cast its shadow over many works made during the following decades. Only through an examination of the complex, sometimes contradictory, and even provocative personality of Zavattini, can the audience come to a better understanding of the coexistence of imagination and reality that was one of the main characteristics of Neorealism.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
In 1962 Philip Corner, one of the most prominent members of the Fluxus movement, caused a great commotion in serious music circles when during a performance entitled Piano Activities he climbed up onto a grand piano and began to kick it while other members of the group attacked it with saws, hammers and all kinds of other implements.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
