Banditi a Orgosolo

  • May 4, 2014 / 16:00
  • May 9, 2014 / 20:00

Director: Vittorio De Seta
Cast: Michele Cossu, Peppeddu Cuccu, Vittorina Pisano
Italy, 98, 1961, black & white

Italian with Turkish subtitles

Vittorio De Seta, a long-time documentarist, turned to feature film with this low-budget drama, acted entirely by an amateur cast of Sardinian peasants. Peppeddu Cosso is quite capable in the lead as a shepherd wrongfully accused of criminal behavior. To escape persecution, the shepherd runs away, taking his flock with him. In a bit of self-fulfilling prophecy, however, the untimely death of his sheep pushes the poor man into a real life of crime, as he is forced to steal in order to survive.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Banditi a Orgosolo

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.

From Cypresses to Turkish Landscapes

From Cypresses to Turkish Landscapes

Among the most interesting themes in the oeuvre of Prassinos are cypresses, trees, and Turkish landscapes. The cypress woods in Üsküdar he saw every time he stepped out on the terrace of their house in İstanbul or the trees in Petits Champs must have been strong images of childhood for Prassinos.