Banditi a Orgosolo

  • May 4, 2014 / 16:00
  • May 9, 2014 / 20:00

Director: Vittorio De Seta
Cast: Michele Cossu, Peppeddu Cuccu, Vittorina Pisano
Italy, 98, 1961, black & white

Italian with Turkish subtitles

Vittorio De Seta, a long-time documentarist, turned to feature film with this low-budget drama, acted entirely by an amateur cast of Sardinian peasants. Peppeddu Cosso is quite capable in the lead as a shepherd wrongfully accused of criminal behavior. To escape persecution, the shepherd runs away, taking his flock with him. In a bit of self-fulfilling prophecy, however, the untimely death of his sheep pushes the poor man into a real life of crime, as he is forced to steal in order to survive.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Banditi a Orgosolo

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier. 

The Search for Form

The Search for Form

A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.