Director: Roberto Rossellini
Cast: Ingrid Bergman, George Sanders, Maria Mauban
Italy, 97, 1954, black & white
Italian with Turkish subtitles
In Naples to sell Uncle Homer’s villa, London businessman George Sanders and wife Ingrid Bergman find that, after eight years of marriage, they have little to say to each other. And as the closing drags on, Bergman remembers a died-too-young poet who loved her, Sanders frets about time away from work, and they split apart — she to stare at the rawness of the statuary in the Museum, the ionization of Vesuvian craters, the skeletons at the cemetery; he to dally with friends on Capri, languidly pursue an estranged wife, and to wave off an attractive prostitute; both to finally view the plaster molds of the dead of Pompeii. Little happens, and yet subtly we see the degeneration of a marriage. Will it take a miracle to save it? Rossellini and Bergman’s own marriage was crumbling too, so in a sense this goes beyond mere artifice, reaching instead for a wrenchingly sincere expression of vulnerable togetherness in the face of time and mortality.
Trailer
While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.
Three people sleeping side by side. On the uncomfortable seats of the stuffy airplane in the air. Three friends. I’m the friend in the window seat. The other two are a couple, Emre and Melisa. I’m alone, they are together. And another difference. I’ve only closed my eyes. They are asleep.
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