Director: Roberto Rossellini
Cast: Aldo Fabrizi, Anna Magnani, Marcello Pagliero, Harry Feist, Vito Annichiarico, Nando Bruno
Italy, 103’, 1945, black & white
Italian with Turkish subtitles
The war was barely over when director Roberto Rossellini filmed his 1945 masterpiece Rome, Open City, bringing the immediacy of a documentary to the devastating story about the choices people must make when all order has collapsed. Rossellini set his film a year or two earlier, as the occupying Nazi authorities conspired to crush the city’s resistance. Rome’s people were forced into an impossible position – resist? Collude? Or merely exist in the painful grey area between the two? Rossellini’s characters are many (and several were non-professional actors), but at the heart of this honest, angry film is an engineer and resistance fighter on the run (Marcello Pagliero); a priest (Aldo Fabrizi) assisting the cause, and a brave pregnant woman (Anna Magnani) engaged to another partisan. Much is devastating – but Rossellini found room, too, for the humor and warmth of everyday life.
Trailer
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017. Through the biennial, we will be sharing detailed information about the artists and the artworks.
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 300 TL
Discounted: 150 TL
Groups: 200 TL (minimum 10 people)
