Rome, Open City

  • May 8, 2014 / 19:00
  • May 18, 2014 / 16:00

Director: Roberto Rossellini
Cast: Aldo Fabrizi, Anna Magnani, Marcello Pagliero, Harry Feist, Vito Annichiarico, Nando Bruno
Italy, 103’, 1945, black & white

Italian with Turkish subtitles

The war was barely over when director Roberto Rossellini filmed his 1945 masterpiece Rome, Open City, bringing the immediacy of a documentary to the devastating story about the choices people must make when all order has collapsed. Rossellini set his film a year or two earlier, as the occupying Nazi authorities conspired to crush the city’s resistance. Rome’s people were forced into an impossible position – resist? Collude? Or merely exist in the painful grey area between the two? Rossellini’s characters are many (and several were non-professional actors), but at the heart of this honest, angry film is an engineer and resistance fighter on the run (Marcello Pagliero); a priest (Aldo Fabrizi) assisting the cause, and a brave pregnant woman (Anna Magnani) engaged to another partisan. Much is devastating – but Rossellini found room, too, for the humor and warmth of everyday life.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Rome, Open City

Rational Medicine in Byzantium

Rational Medicine in Byzantium

Byzantine medical art was grounded in the Greco-Roman medicine transmitted by Hippocrates and Galen and new concepts introduced by such physicians as Oribasios of Pergamon, Aetius of Amida, Alexander of Tralles and Paul of Aegina. 

At The Well

At The Well

Tadeusz Ajdukiewicz discovered the Orient in 1877, touring Syria, Egypt, Turkey, and the Crimea with Władysław Branicki. This experience made a profound impression on him, and he was to continuously revisit Eastern themes in his works for the rest of his life. 

Il Cavallo di Leonardo

Il Cavallo di Leonardo

In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.