Germany Year Zero

  • May 18, 2014 / 18:00
  • May 21, 2014 / 19:00

Director: Roberto Rossellini
Cast: Edmund Moeschke, Ernst Pittschau, Ingetraud Hinze
Italy, 78’, 1948, black & white

Italian with Turkish subtitles

The concluding chapter of Roberto Rossellini’s War Trilogy is one of the most devastating portraits of an obliterated Berlin shown through the eyes of a twelve-year-old boy. Living in a bombed-out apartment building with a sick father and two older siblings, young Edmund is mostly left to wander unsupervised, getting ensnared in the black-market schemes of a group of teenagers and coming under the nefarious influence of a Nazi-sympathizing ex-teacher. Germany Year Zero (Deutschland im Jahre Null) is a daring, gut-wrenching look at the consequences of fascism, for society and the individual.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Germany Year Zero

Portrait of Martín Zapater (1797)

Portrait of Martín Zapater (1797)

Martín Zapater y Clavería, born in Zaragoza on November 12th 1747, came from a family of modest merchants and was taken in to live with a well-to-do aunt, Juana Faguás, and her daughter, Joaquina de Alduy. He studied with Goya in the Escuelas Pías school in Zaragoza from 1752 to 1757 and a friendship arose between them which was to last until the death of Zapater in 1803. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

From the Age of Reason to the “Tortoise Trainer” <br> Salon Exhibitions and Art Criticism

From the Age of Reason to the “Tortoise Trainer”
Salon Exhibitions and Art Criticism

A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.