Bread, Love and Dreams

  • May 4, 2014 / 18:00
  • May 11, 2014 / 14:00

Director: Luigi Comencini
Cast: Vittorio De Sica, Gina Lollobrigida, Marisa Merlini
Italy, 90’, 1953, black & white

Italian with Turkish subtitles

"Europe’s Biggest Sex Bomb in an All-Out Explosion!" A major hit at home and abroad — it won the Silver Bear at Berlin, and was Oscar nominated for Best Story — this saucy comedy features vivacious Gina Lollobrigida in one of her signature roles. The director is Luigi Comencini, a leading figure in “pink (or rosy) neorealism,” a softer, more upbeat form of Italian neorealism that joined realist, typically rustic settings with romantic comedy conventions — and a glamorous actress or two. Bread, Love and Dreams is the most prominent example of the rosy style. La Lollo stars as mountain village beauty Maria, ardently pursued by the town’s middle-aged police marshal (played by the great actor-director Vittorio De Sica), but actually in love with one of his deputies (Roberto Risso). Marisa Merlini co-stars as the local midwife. The film’s great success spawned a series of "Bread and Love" movies, including a sequel with the same cast and crew and another directed by Dino Risi, a principal talent, with Comencini, in pink neorealism and its successor, commedia all’italiana.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Bread, Love and Dreams

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

A Photographer’s Biography Guillaume Berggren

A Photographer’s Biography Guillaume Berggren

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Istanbul’s Historical Peninsula in 18th and 19th Century Paintings

Istanbul’s Historical Peninsula in 18th and 19th Century Paintings

With the Topkapı Palace, the center of political authority until the 19th century, and many other examples of classical Ottoman and Byzantine architecture included in its premise the Historical Peninsula is the heart of the Empire.