Paisan

  • May 3, 2014 / 16:00
  • May 18, 2014 / 14:00

Director: Roberto Rossellini
Cast: Carmela Sazio, Gar Moore, William Tubbs
Italy, 120’, 1946, black & white

Italian with Turkish subtitles

A landmark of neorealism, Paisan is the first film to earn Alfred Hayes an Academy Award nomination, and the second entry in Rossellini’s War Trilogy (after Rome, Open City). In six episodes (each by a different writer, including one by Federico Fellini), it recounts the Allied invasion of Italy during World War II. The final sequence—depicting a battle in the Po Valley between the Germans and Italian Resistance—is a hair-raising, nearly wordless tour-de-force of suspense.

Rome, Open City

Rome, Open City

Paisan

Paisan

Germany Year Zero

Germany Year Zero

Stromboli

Stromboli

Umberto D

Umberto D

Bread, Love and Dreams

Bread, Love and Dreams

I Vitelloni

I Vitelloni

Journey to Italy

Journey to Italy

Banditi a Orgosolo

Banditi a Orgosolo

Cesare Zavattini

Cesare Zavattini

History of Italian Cinema

History of Italian Cinema

Trailer

Paisan

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

The Notions of Race Fred Wilson

The Notions of Race Fred Wilson

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

A Photographer’s Biography Ali Sami Aközer

A Photographer’s Biography Ali Sami Aközer

Ali Sami is born in Rusçuk in 1866, and moves to İstanbul. Because his family is registered in the Beylerbeyi quarter of Üsküdar, Ali Sami is also called Üsküdarlı Ali Sami. He graduates from the Mühendishane-i Berri-i Hümayun in 1866 and becomes a teacher of painting and photography at the school.