Director: Roberto Rossellini
Cast: Carmela Sazio, Gar Moore, William Tubbs
Italy, 120’, 1946, black & white
Italian with Turkish subtitles
A landmark of neorealism, Paisan is the first film to earn Alfred Hayes an Academy Award nomination, and the second entry in Rossellini’s War Trilogy (after Rome, Open City). In six episodes (each by a different writer, including one by Federico Fellini), it recounts the Allied invasion of Italy during World War II. The final sequence—depicting a battle in the Po Valley between the Germans and Italian Resistance—is a hair-raising, nearly wordless tour-de-force of suspense.
Trailer
Jean-Léon Gérôme is among the most renowned artists of the second half of the 19th century. One of the most fervent advocates of academic painting, Gérôme declared a personal war against modern movements such as Impressionism.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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