Shooting films can sometimes be a real adventure. For instance, if you decide to do a documentary about vampires, it’s a good idea to get them to promise not to suck your blood. And for good measure, keep a cross hanging around your neck. Viago, Deacon and Vladislav live quietly in an old house. Vegetating in the basement is Petyr, who has seen better days, to put it mildly. Some of them are pushing 400, but they have the morals and moodiness of teenagers. They are also bothered by the fact that nobody will invite them into nightclubs. But maybe their new friend Stu can help – a person they decide to leave human. Taking its cues from the history of vampire legends and driven by unlimited fantasy, the film humorously adapts the centuries-old rules of vampiric life to the present day and entertains with equal doses of sitcom humor and tongue-in-cheek cultural references. Drinking blood sometimes gets messy, but over the centuries it has lost none of its appeal.
Constituting the entirety of all the perceived aspects of an object creating their own order, form not only contains visual elements and characteristics, but can also help elucidate concepts.
The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.
Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
