The Transfiguration

  • November 17, 2017 / 21:30
  • November 22, 2017 / 19:00

Director: Michael O'Shea
Cast: Eric Ruffin, Chloe Levine, Jelly Bean, Phyillicia Bishop
USA, 2016, 97', color
English with Turkish subtitles

 

The Transfiguration is an interesting mix of art-house and genre elements. O’Shea sculpts the film into a teen-drama horror hybrid, providing Easter eggs for the genre buffs with references to vampire mythology spread throughout the film. However, instead of showcasing the supernatural, the movie excels in it’s emotional depth. This distinctive concept of the film was tested by O’Shea in his 2014 short, Milo and the extensive development on the script has contributed to a deep and more nuanced vampire saga.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

The First Nudes

The First Nudes

Men were the first nudes in Turkish painting. The majority of these paintings were academic studies executed in oil paint; they were part of the education of artists that had finally attained the opportunity to work from the live model. The gender of the models constituted an obstacle in the way of characterizing these paintings as ‘nudes’. 

Good News from the Skies

Good News from the Skies

Inspired by the exhibition And Now the Good News, which focusing on the relationship between mass media and art, we prepared horoscope readings based on the chapters of the exhibition. Using the popular astrological language inspired by the effects of the movements of celestial bodies on people, these readings with references to the works in the exhibition make fictional future predictions inspired by the horoscope columns that we read in the newspapers with the desire to receive good news about our day. 

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End).