The Transfiguration is an interesting mix of art-house and genre elements. O’Shea sculpts the film into a teen-drama horror hybrid, providing Easter eggs for the genre buffs with references to vampire mythology spread throughout the film. However, instead of showcasing the supernatural, the movie excels in it’s emotional depth. This distinctive concept of the film was tested by O’Shea in his 2014 short, Milo and the extensive development on the script has contributed to a deep and more nuanced vampire saga.
It is understood from Evliya Çelebi’s well-known Book of Travels that the history of sea baths goes as far back as the 17th century; their acceptance and popularization take place in mid-19th century as a result of Westernization, among other things.
This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.
The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.
Tuesday - Friday 11.00 - 18.00
The museum is closed on Mondays,
Saturdays and Sundays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
