Rabid

  • November 17, 2017 / 20:00
  • November 23, 2017 / 19:00

Director: David Cronenberg
Cast: Marilyn Chambers, Frank Moore, Joe Silver, Susan Roman
Canada, 1977, 91', color
English with Turkish subtitles
 
 
David Cronenberg’s follow-up to his debut feature, the high-rise horror Shivers, stars former adult film star Marilyn Chambers as Rose, a car accident victim left mangled and comatose before winding up on Dr. Dan Keloid’s operating table. After undergoing radical emergency plastict surgery, she survives but is left with a couple of side effects: a phallic stinger that forms under her armpit and a ravenous desire for blood… Although Rabid plays with the same themes of sexual anxiety, mutation, and disease as Shivers, in this film Cronenberg forgoes the claustrophobic atmosphere for a more expansive Canadian landscape. From Quebec to Montreal,Rose hunts victims and infects crowds of people with an unknown disease that drives them insane and bloodthirsty.
 

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Soothsayer Serenades I Two-handed by Kübra Uzun

Soothsayer Serenades I Two-handed by Kübra Uzun

Today we are thrilled to present the first playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. The playlist titled Two-handed is presented by Kübra Uzun on Pera Museum’s Spotify account.

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’.