Rabid

  • November 23, 2017 / 19:00
  • November 17, 2017 / 20:00

Director: David Cronenberg
Cast: Marilyn Chambers, Frank Moore, Joe Silver, Susan Roman
Canada, 1977, 91', color
English with Turkish subtitles
 
 
David Cronenberg’s follow-up to his debut feature, the high-rise horror Shivers, stars former adult film star Marilyn Chambers as Rose, a car accident victim left mangled and comatose before winding up on Dr. Dan Keloid’s operating table. After undergoing radical emergency plastict surgery, she survives but is left with a couple of side effects: a phallic stinger that forms under her armpit and a ravenous desire for blood… Although Rabid plays with the same themes of sexual anxiety, mutation, and disease as Shivers, in this film Cronenberg forgoes the claustrophobic atmosphere for a more expansive Canadian landscape. From Quebec to Montreal,Rose hunts victims and infects crowds of people with an unknown disease that drives them insane and bloodthirsty.
 

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

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Near Dark

Cronos

Cronos

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Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

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The Transfiguration

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Midnight Stories: COGITO <br> Tevfik Uyar

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Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Stefan Hablützel Look At Me!

Stefan Hablützel Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in “Look At Me!”.

The Golden Horn

The Golden Horn

When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.