Rabid

  • November 17, 2017 / 20:00
  • November 23, 2017 / 19:00

Director: David Cronenberg
Cast: Marilyn Chambers, Frank Moore, Joe Silver, Susan Roman
Canada, 1977, 91', color
English with Turkish subtitles
 
 
David Cronenberg’s follow-up to his debut feature, the high-rise horror Shivers, stars former adult film star Marilyn Chambers as Rose, a car accident victim left mangled and comatose before winding up on Dr. Dan Keloid’s operating table. After undergoing radical emergency plastict surgery, she survives but is left with a couple of side effects: a phallic stinger that forms under her armpit and a ravenous desire for blood… Although Rabid plays with the same themes of sexual anxiety, mutation, and disease as Shivers, in this film Cronenberg forgoes the claustrophobic atmosphere for a more expansive Canadian landscape. From Quebec to Montreal,Rose hunts victims and infects crowds of people with an unknown disease that drives them insane and bloodthirsty.
 

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

The Ottoman Way of Serving Coffee

The Ottoman Way of Serving Coffee

Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.

Cameria (Mihrimah Sultan)

Cameria (Mihrimah Sultan)

Based on similar examples by the European painters in various collections, this work is one of the portraits of Mihrimah Sultan, who was depicted rather often in the 16th century.

Chlebowski’s Sultan

Chlebowski’s Sultan

This is one of Stanisław Chlebowski’s larger canvasses dealing with themes other than battles; only Ottoman Life at the Sweet Waters now at the Istanbul Military Museum can compare with it in size.