Neil Jordan’s first exploration into the realm of vampirism began in 1996 with Interview with the Vampire. Now he immerses us in this lurid world via the plight of two willful women, perfectly played by Saoirse Ronan and Gemma Arterton. The film combines a traditional gothic horror story (though not one that sticks to traditional vampire law), social history and a realistic account of dealing with authentic physical distress. Neil Jordan has created this florid, preposterous but watchable soap opera of the undead; it’s a dark fantasy that contains a trace of his slight weakness for whimsy, but in some ways it’s his most effective film for some time, adapted for the screen by Moira Buffini from her stage play A Vampire Story. Byzantium fuses the polished and alluring with the vicious brutality that accompanies all great vampire films. Neil Jordan skillfully weaves romance with the gothic and gory, producing a seductive story with stunning spectral scenes.
The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.
Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.
Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 100 TL
Discounted: 50 TL
Groups: 80 TL (minimum 10 people)
