A Girl Walks Home Alone at Night

  • November 3, 2017 / 19:00
  • November 29, 2017 / 19:00

Director: Ana Lily Amirpour
Cast: Sheila Vand, Arash Marandi, Marshall Manesh, Mozhan Marnò
Iran, USA, 2014, 101', b&w
Persian with Turkish subtitles
 

A Girl Walks Home Alone at Night is steeped in other influences: Spaghetti Westerns, 1950s juvenile delinquent movies, gearhead movies, teenage rom-coms, the Iranian New Wave. Shot in California but set in a distorted, black and white version of Iran called Bad City, director Ana Lily Amirpour draws on an eclectic assortment of influences and blends aesthetics associated with Eastern and Western filmmaking to create work that has been billed as the “first Iranian vampire Western” and hailed as a female-empowered and unique take on the vampire film.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Dizzying Expression of Fear and Doom Tsang Kin-Wah

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks. 

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.