Let the Right One In

  • October 31, 2017 / 19:00
  • November 8, 2017 / 17:00

Director: Tomas Alfredson
Cast: Kåre Hedebrant, Lina Leandersson, Per Ragnar, Henrik Dahl
Sweden, 2008, 115',  color
Swedish, Spanish with Turkish subtitles

As much coming-of-age story as vampire tale, Let the Right One In is anomalously both elliptical and tender and does its unsettling work quietly. Director Tomas Alfredson treats the fantastic as the everyday stuff of life in the film. Though there
are moments of gore, Alfredson handles them with a restrained precision, and the eerie stillness of the scenes makes them shudderingly memorable. Though dark themes prevail, the essence of the film lies mainly in the relationship between Oskar
and Eli, tactfully portrayed by the talented young actors. The two emit a natural innocence even within the gloomy storyline, conveying a constant sense of hope.

Valerie and Her Week of Wonders

Valerie and Her Week of Wonders

Rabid

Rabid

Near Dark

Near Dark

Cronos

Cronos

Let the Right One In

Let the Right One In

Byzantium

Byzantium

Only Lovers Left Alive

Only Lovers Left Alive

A Girl Walks Home Alone at Night

A Girl Walks Home Alone at Night

What We Do in the Shadows

What We Do in the Shadows

The Lure

The Lure

The Transfiguration

The Transfiguration

Nudes With Mirrors

Nudes With Mirrors

Although mythological themes are not commonly encountered in Turkish painting, it is possible to see variations of widespread themes such as the Venus at her Toilet. 

Soothsayer Serenades I Beautiful People by Sarp Dakni

Soothsayer Serenades I Beautiful People by Sarp Dakni

Today we are thrilled to present the second playlist of Amrita Hepi’s Soothsayer Serenades series as part of the Notes for Tomorrow exhibition. 

Giacometti & the Human Figure

Giacometti & the Human Figure

Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.