Director: David Teboul
Cast: Brigitte Bardot, Henri-Georges Clouzot, Sami Frey
UK, 115’, 2013, color
French with Turkish subtitles
In 2011, Brigitte Bardot consented to the making of a biographical documentary. She did not participate in the film, but gave the director access to places in her life, her homes, La Madrague and La Garrigue, in Saint-Tropez, her family archives, films made by her father, from her birth to her transformation into a screen goddess. From this invaluable material, the director compiles a rare, sensitive portrait that reveals all the contradictions of a woman and a legendary, passionate actress. It also draws on passages from Initiales BB, an autobiography of the actress, comments by Bulle Ogier and film clips.
Trailer
Coffee was served with much splendor at the harems of the Ottoman palace and mansions. First, sweets (usually jam) was served on silverware, followed by coffee serving. The coffee jug would be placed in a sitil (brazier), which had three chains on its sides for carrying, had cinders in the middle, and was made of tombac, silver or brass. The sitil had a satin or silk cover embroidered with silver thread, tinsel, sequin or even pearls and diamonds.
1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.
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