A Trip to the Moon

  • February 21, 2015 / 15:00
  • March 6, 2015 / 19:00

Director: Georges Méliès
Cast: Georges Méliès, François Lallement, Jules-Eugène
France, 13’, 1902,  black & white; silent

A Trip to the Moon is the most famous of over 500 short films produced by cinema pioneer Georges Méliès between 1896 and 1912, and its signature image of a bullet-shaped rocket lodging itself in the eye of a smirking moon is one of the most recognizable images in cinema history. An accomplished magician, Méliès moved from simple recordings of his stage shows to dazzling fantasy epics which were among the first narrative films ever made. These "trick films" combined fantastic yarns, intricate painted sets, and elaborate costumes with such simple but effective special effects as slow motion, dissolves, and superimpositions. Like Méliès's other long films of the period, Trip to the Moon is composed of a series of tableaux, each featuring chaotic action and multiple camera tricks photographed with a stubbornly static camera, which work together to tell a simple story. It proved sensationally popular with audiences, though Edwin S. Porter's The Great Train Robbery rode a slightly more sophisticated narrative to greater success the following year. As one of the earliest examples of cinematic fantasy, A Trip to the Moon paved the way for such filmic flights of fancy as The Wizard of Oz and Star Wars, as it proved that the seduction of the audience through special effects has roots deeper than the blockbusters of the Seventies.

Contempt

Contempt

Bardot, la Méprise

Bardot, la Méprise

Inferno

Inferno

Free Radicals: A History of Experimental Film

Free Radicals: A History of Experimental Film

Beaches of Agnès

Beaches of Agnès

A Trip to the Moon

A Trip to the Moon

The Extraordinary Voyage

The Extraordinary Voyage

Room 237

Room 237

This Film Is Not Yet Rated

This Film Is Not Yet Rated

The Pervert's Guide To Cinema

The Pervert's Guide To Cinema

Be Kind Rewind

Be Kind Rewind

Trailer

A Trip to the Moon

Serpent Head

Serpent Head

The Greek god Apollo and his son Asklepios presided over the realm of medicine and healing. Apollo was also the god of light and sun, whose solar symbolism and association with medicine would become linked to Christ the Physician, and the resurrected.

Ottoman Music and Entertainment from the Perspective of Painters

Ottoman Music and Entertainment from the Perspective of Painters

When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.

Giacometti & the Human Figure

Giacometti & the Human Figure

Giacometti worked nonstop on his sculptures, either from nature or from memory, trying to capture the universal facial expressions.