Beaches of Agnès

  • March 5, 2015 / 19:00
  • March 8, 2015 / 14:00

Director: Agnès Varda
Cast: Agnès Varda, André Lubrano, Blaise Fournier
France, 110’, 2008, color

French with Turkish subtitles

Returning to the beaches which have been parts of her life, Agnès Varda invents a kind of self-portrait-documentary. Agnès stages herself among excerpts of her films, images and reportages. She shares with humor and emotion her beginnings as stage photographer, then early filmmaker of the French New Wave, her life with Jacques Demy, her feminism, her trips to Cuba, China and the USA, her life as independent producer and her family.

Contempt

Contempt

Bardot, la Méprise

Bardot, la Méprise

Inferno

Inferno

Free Radicals: A History of Experimental Film

Free Radicals: A History of Experimental Film

Beaches of Agnès

Beaches of Agnès

A Trip to the Moon

A Trip to the Moon

The Extraordinary Voyage

The Extraordinary Voyage

Room 237

Room 237

This Film Is Not Yet Rated

This Film Is Not Yet Rated

The Pervert's Guide To Cinema

The Pervert's Guide To Cinema

Be Kind Rewind

Be Kind Rewind

Trailer

Beaches of Agnès

History of a Khanjar

History of a Khanjar

Henryk Weyssenhoff, author of landscapes, prints, and illustrations, devoted much of his creative energies to realistic vistas of Belorussia, Lithuania, and Samogitia. A descendant of an ancient noble family which moved east to the newly Polonised Inflanty in the 17th century, the young Henryk was raised to cherish Polish national traditions.

Memory Building Memories / Memory Room / Memento Mori

Memory Building Memories / Memory Room / Memento Mori

Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.