We Can’t Go Home Again

  • September 21, 2014 / 14:00
  • September 27, 2014 / 15:00

Nicholas Ray, USA, 93’, 1973,
English with Turkish subtitles

A decade after quitting Hollywood, legendary director Nicholas Ray accepted a teaching contract at Harpur College in Binghamton, New York. We Can’t Go Home Again, is Ray’s enormously ambitious, profoundly personal, wildly experimental magnum opus.

Hommage to Nicholas Ray
Nicholas Ray spent the glory years of his career creating films that were dark, emotionally charged, and haunted by social misfits and bruised young people consumed by private anguish. Yet his work on-screen is more than matched by the passions and struggles of his personal story—one of the most dramatic lives of any major Hollywood filmmaker. Nicholas Ray passed away 35 years ago in 1979.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

Everybody Street

Bomb It

Bomb It

Bomb It 2

Bomb It 2

Exit Through  the Gift Shop

Exit Through the Gift Shop

Dogtown &  Z-Boys

Dogtown & Z-Boys

12 O’Clock Boys

12 O’Clock Boys

Inside Out:  The People’s Art Project

Inside Out: The People’s Art Project

Dark Days

Dark Days

Gunnin’  For That #1 Spot

Gunnin’ For That #1 Spot

Brooklyn

Brooklyn

Beats of Freedom

Beats of Freedom

Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

We Can’t Go Home Again

Don’t Expect Too Much

Don’t Expect Too Much

Trailer

We Can’t Go Home Again

Rineke Dijkstra Look At Me!

Rineke Dijkstra Look At Me!

“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.” 

Ottoman Music and Entertainment from the Perspective of Painters

Ottoman Music and Entertainment from the Perspective of Painters

When we examine the Ottoman-themed paintings of indoor everyday life by western painters, musical entertainment attracts attention as a fundamental aspect of the lifestyle.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.