Who Took the Bomp?
Le Tigre on Tour

  • September 21, 2014 / 18:00
  • September 26, 2014 / 18:30

Kerthy Fix, USA, 2010, 67’,
English with Turkish subtitles

Who Took the Bomp? Le Tigre On Tour follows iconic feminist electronic band Le Tigre on their 2004-2005 international tour across four continents and through ten countries. Supported by a community of devoted fans and led by outspoken Riot Grrrl pioneer Kathleen Hanna (Bikini Kill), Le Tigre confronts sexism and homophobia in the music industry while tearing up the stage via performance art poetics, no-holds-barred lyrics, punk rock ethos, and whip-smart wit in this edgy and entertaining documentary.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

Everybody Street

Bomb It

Bomb It

Bomb It 2

Bomb It 2

Exit Through  the Gift Shop

Exit Through the Gift Shop

Dogtown &  Z-Boys

Dogtown & Z-Boys

12 O’Clock Boys

12 O’Clock Boys

Inside Out:  The People’s Art Project

Inside Out: The People’s Art Project

Dark Days

Dark Days

Gunnin’  For That #1 Spot

Gunnin’ For That #1 Spot

Brooklyn

Brooklyn

Beats of Freedom

Beats of Freedom

Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

We Can’t Go Home Again

Don’t Expect Too Much

Don’t Expect Too Much

Trailer

Who Took the Bomp?
Le Tigre on Tour

Introducing… Turkish coffee!

Introducing… Turkish coffee!

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn (1901-1974)

Louis Isadore Kahn was born in 1901 to a Jewish family in Pärnu, Russia (today Estonia), far from Philadelphia where he spent his whole life, worked, fell in love, and breathed his last. Kahn family emigrated to America when he was five years old. 

I Copy Therefore I Am

I Copy Therefore I Am

Suggesting alternative models for new social and economic systems, SUPERFLEX works appear before us as energy systems, beverages, sculptures, copies, hypnosis sessions, infrastructure, paintings, plant nurseries, contracts, or specifically designed public spaces.