Control

  • September 18, 2014 / 21:00
  • September 27, 2014 / 19:00

Anton Corbijn, USA, UK, 2007, 122,
English with Turkish subtitles
Cast: Sam Riley, Samantha Morton,
Joe Anderson, Alexandra Maria Lara

In 1970s England, troubled musician Ian Curtis (Sam Riley) rises to fame as lead singer of the band Joy Division. A husband and father, Curtis begins to feel the strain of his band’s growing success, as his marriage to wife Deborah (Samantha Morton) crumbles and his epilepsy gets worse. Nominated for two BAFTAs and hailed at Cannes, Anton Corbijn’s Control is a gripping biopic beautifully shot in crisp monochrome.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

Everybody Street

Bomb It

Bomb It

Bomb It 2

Bomb It 2

Exit Through  the Gift Shop

Exit Through the Gift Shop

Dogtown &  Z-Boys

Dogtown & Z-Boys

12 O’Clock Boys

12 O’Clock Boys

Inside Out:  The People’s Art Project

Inside Out: The People’s Art Project

Dark Days

Dark Days

Gunnin’  For That #1 Spot

Gunnin’ For That #1 Spot

Brooklyn

Brooklyn

Beats of Freedom

Beats of Freedom

Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

We Can’t Go Home Again

Don’t Expect Too Much

Don’t Expect Too Much

Trailer

Control

The Painter of Venice

The Painter of Venice

Pera Museum presents an exhibition of French artist Félix Ziem, one of the most original landscape painters of the 19th century. 

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.