Bomb It 2

  • September 20, 2014 / 15:00
  • September 28, 2014 / 16:00

Jon Reiss, USA, 73’, 2010,
English with Turkish subtitles

Bomb It 2 explores the indigenous street art scenes in Singapore, Bangkok, Jakarta, Hong Kong, Tel Aviv, Perth, Melbourne, Copenhagen, Chicago, Austin and the Palestinian refugee camps on the West Bank. Using a ultra compact camera and sound package, Reiss travelled by himself to film artists and writers representing a wide range of cultures, styles and beliefs including Alex Face, Ash Keating, Beejoir, Bon, Darbotz, Foma, Great Bates, Husk Mit Navn, Inspire, Killer Gerbil and Zero, Klone, Know Hope, Phibs, Mars, MIC, Sloke, Stormie Mills, Thor, Twoone, Vexta, Victor Ash, Xeme, and Zero Cents, among others.

Screenings can be seen with a discounted museum ticket (8 TL). No reservations taken.

Style Wars

Style Wars

Everybody Street

Everybody Street

Bomb It

Bomb It

Bomb It 2

Bomb It 2

Exit Through  the Gift Shop

Exit Through the Gift Shop

Dogtown &  Z-Boys

Dogtown & Z-Boys

12 O’Clock Boys

12 O’Clock Boys

Inside Out:  The People’s Art Project

Inside Out: The People’s Art Project

Dark Days

Dark Days

Gunnin’  For That #1 Spot

Gunnin’ For That #1 Spot

Brooklyn

Brooklyn

Beats of Freedom

Beats of Freedom

Who Took the Bomp?<br/>Le Tigre on Tour

Who Took the Bomp?
Le Tigre on Tour

Control

Control

We Can’t  Go Home Again

We Can’t Go Home Again

Don’t Expect Too Much

Don’t Expect Too Much

Trailer

Bomb It 2

Janine Antoni Look At Me!

Janine Antoni Look At Me!

The exhibition Look at Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection examines portraiture, one of the oldest artistic genres, through a significant number of works of our times. Through the exhibition we will be sharing about the artists and sections in Look At Me!. This time we are sharing about Janine Antoni , exhibited under the section “The Conventions of Identitiy”!

Paris Without End (1959-1965)

Paris Without End (1959-1965)

In the 60s, Alberto Giacometti paid homage to Paris, the city where he lived, by drawing its streets, cafés, and more private places like his studio and the apartment of his wife, Annette. These drawings would make up his last book, Paris sans fin (Paris Without End). 

Venuses Throughout History

Venuses Throughout History

José Sancho does not conceal the voluptuousness of his female torsos; he highlights it. These torsos are symmetrical from front, but on the other hand, from the side, the juxtaposition of concave and convex forms creates dynamism.