Views of Ottoman Empire Selection

  • December 4, 2015 / 14:00
  • December 4, 2015 / 16:00

1911-1928, Black & White and Color
Restoration: EYE Filmmuseum, Cineteca di Bologna, Yugoslovenska Kinoteka, Filmmuseum Austria, Imperial War Museum, Filmarchiv Austria, Library of Congress, British Film Institute
14:00 First Session Music: Çiğdem Borucu Erdoğan, Güniz Alkaç, Nurcan Betül Arısoy
16:00 Second Session Music: Grup Burgaz'dan Sonra Heybeliada

Any city that has ever been part of the Ottoman Empire, even if it had separated from the imperial territory decades before the discovery of cinematography, can be included if the images reflect its Ottoman heritage.

The film will be introduced by Elif Rongen-Kaynakçı.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

A Photographer’s Biography Pascal Sebah

A Photographer’s Biography Pascal Sebah

Following the opening of his studio, “El Chark Societe Photographic,” on Beyoğlu’s Postacılar Caddesi in 1857, the Levantine-descent Pascal Sébah moves to yet another studio next to the Russian Embassy in 1860 with a Frenchman named A. Laroche, who, apart from having worked in Paris previously, is also quite familiar with photographic techniques.

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.

Bosphorus at the Orientalist Paintings

Bosphorus at the Orientalist Paintings

The Bosphorus, which divides the city from north to south, separates two continents, renders Istanbul distinct for western painters, offers the most picturesque spectacles for western artists.