Fantasia of Color in Early Cinema

Color in early cinema was used to charm the audience even further with the new medium. Initially applied by hand, film coloring gradually became much sophisticated and semi-automatized, until it disappeared completely with the advent of sound. Whether realistically colored (like the ones showing the latest fashions) or completely fantastic (like the fairy tales) films lose much of their relevance if presented in black&white.

Accompanied with the performance of silent movie musician Stephen Horne and presentation by Mariann Lewinsky, following films from Eye Filmmuseum’s collection will be screening:

Danse des Ouled-Naïls / Dance of Ouled- Naïls
Obsession d’or / Obsession with Gold
Mode der tasschjes te Parijs
Excerpt from Brodeuses Hongroises / Hungarian embroidery / fragment
Voyage Sur Jupiter / Journey to Jupiter
Fantasia of Color trailer

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Midnight Stories: The Red Button <br> Funda Özlem Şeran

Midnight Stories: The Red Button
Funda Özlem Şeran

It was a quiet night in the dessert. Even the mice weren’t around. A few LEDs blinked in the dark, and the sound of a fan filled the infinite void. The conversation cutting the silence seemed to go nowhere.

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.