Fantasia of Color in Early Cinema

Color in early cinema was used to charm the audience even further with the new medium. Initially applied by hand, film coloring gradually became much sophisticated and semi-automatized, until it disappeared completely with the advent of sound. Whether realistically colored (like the ones showing the latest fashions) or completely fantastic (like the fairy tales) films lose much of their relevance if presented in black&white.

Accompanied with the performance of silent movie musician Stephen Horne and presentation by Mariann Lewinsky, following films from Eye Filmmuseum’s collection will be screening:

Danse des Ouled-Naïls / Dance of Ouled- Naïls
Obsession d’or / Obsession with Gold
Mode der tasschjes te Parijs
Excerpt from Brodeuses Hongroises / Hungarian embroidery / fragment
Voyage Sur Jupiter / Journey to Jupiter
Fantasia of Color trailer

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Unhomely!  <br>Lee Miller

Unhomely!
Lee Miller

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

Demons, Symbols, and the Cosmos

Demons, Symbols, and the Cosmos

Beliefs surrounding illness and healing in Byzantium stem from the myths, astrology, and magic practiced around the Mediterranean by Jews, Egyptians, Mesopotamians, and Greeks.

Niko Pirosmani

Niko Pirosmani

“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze