Fantasia of Color in Early Cinema

Color in early cinema was used to charm the audience even further with the new medium. Initially applied by hand, film coloring gradually became much sophisticated and semi-automatized, until it disappeared completely with the advent of sound. Whether realistically colored (like the ones showing the latest fashions) or completely fantastic (like the fairy tales) films lose much of their relevance if presented in black&white.

Accompanied with the performance of silent movie musician Stephen Horne and presentation by Mariann Lewinsky, following films from Eye Filmmuseum’s collection will be screening:

Danse des Ouled-Naïls / Dance of Ouled- Naïls
Obsession d’or / Obsession with Gold
Mode der tasschjes te Parijs
Excerpt from Brodeuses Hongroises / Hungarian embroidery / fragment
Voyage Sur Jupiter / Journey to Jupiter
Fantasia of Color trailer

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Paula Rego in Istanbul!

Paula Rego in Istanbul!

We, by which I mean some of my classmates and I, knew about Paula Rego. I’ll have to admit, I didn’t know where Rego was from or even where in Europe Portugal was. I thought she was English. Let me tell you how I first heard the very un-English sounding name “Paula Rego”

The Chronicle of Sarajevo

The Chronicle of Sarajevo

Inspired by the great European masters, from Renaissance to Art Nouveau, Berber’s works exemplify the deep, opaque whites of his journeys through the fairy tale landscapes of Bosnia to the dark, macabre burrows of Srebrenica.

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms.