(Sur)real Colors

In early cinema the colors were applied on to the already developed black&white film strip. The colors are meant to embellish the image or to add drama (for ex. the image turns red when there is a fire). However there is another dimension to the early color techniques; the colors are present as a chemical layer on the film surface. When they decay over time, new unexpected versions might arise.

Accompanied with the performance of silent movie musician Stephen Horne and presentation by Mariann Lewinsky, following films from Eye Filmmuseum’s collection will be screening:

Danse Serpentine
La Caduta Di Troia
Mein Name Ist Spiesecke

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Midnight Stories: The Soul <br> Aşkın Güngör

Midnight Stories: The Soul
Aşkın Güngör

The wind blows, rubbing against my legs made of layers of metal and wires, swaying the leaves of grass that have shot up from the cracks in the tarmac, and going off to the windows that look like the eyes of dead children in the wrecked buildings that seem to be everywhere as far as the eye can see.

Rineke Dijkstra Look At Me!

Rineke Dijkstra Look At Me!

“The portrait tells us that there is an inner and an outer dimension of the human condition; it provides—or should provide—information about both the physical and psychological character of an individual.” 

A Night at Pera Museum

A Night at Pera Museum

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humorous eye over ‘historical’ events, both imagined and factual.