In early cinema the colors were applied on to the already developed black&white film strip. The colors are meant to embellish the image or to add drama (for ex. the image turns red when there is a fire). However there is another dimension to the early color techniques; the colors are present as a chemical layer on the film surface. When they decay over time, new unexpected versions might arise.
Accompanied with the performance of silent movie musician Stephen Horne and presentation by Mariann Lewinsky, following films from Eye Filmmuseum’s collection will be screening:
Danse Serpentine
La Caduta Di Troia
Mein Name Ist Spiesecke
“A nameless Egyptian fresco, an African idol or a vase from Crete: we should behold Pirosmani’s art among them. Only this way it is possible to conceive it genuinely … …You see Pirosmani – you believe in Georgia”.
Grigol Robakidze
Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
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Tuesday - Saturday 10:00 - 19:00
Friday 10:00 - 22:00
Sunday 12:00 - 18:00
The museum is closed on Mondays.
On Wednesdays, the students can
visit the museum free of admission.
Full ticket: 25 TL
Discounted: 10 TL
Groups: 20 TL (10 people or more)
