Different from the Others

Director: Richard Oswald
Cast: Conrad Veidt, Leo Connard, Ilse von Tasso-Lind
1919, 50’, Black & White, DVD Restoration: Munich Film Museum
Music: Recorded piano score by Joachim Bärenz

From a 1919 leaflet promoting the film: “This film does not seek to exploit idle curiosity, nor to speculate on sensationalism. Rather, it presents in dramatic form a psychological portrait that is unique in its empathetic intensity. The film advocates on behalf of those unfortunate individuals who have run afoul of the law, not out of wantonness, but because of an inborn condition that has determined their orientation. These individuals deserve not our contempt, but our compassion.”

The film will be introduced by Stefan Drössler.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

The Welcoming of Venetian Balios to Ottoman Lands

The Welcoming of Venetian Balios to Ottoman Lands

The series of paintings depicting the audience ceremonies of European ambassadors hold a unique place among the works of Jean-Baptiste Vanmour of Valenciennes, who lived in İstanbul from 1699 until his death in 1737.

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.

Fluid Rego

Fluid Rego

While Paula Rego belatedly was recognised as one of the leading feminist pioneers of her age, little has been written about her exploration of fluid sexuality. Indeed the current of sado-masochism in her drawings and paintings, has tended to encourage an understanding as a classic clash between the patriarchy and exploited women.