Nathan the Wise

Director: Manfred Noa
Cast: Fritz Greiner, Carl de Vogt, Lia Eibenschütz
1922, 128’, Tinted & toned, DVD
Restoration: Munich Film Museum
Original Music: Aljoscha Zimmermann, Sabrina Hausmann (violin) ve Mark Pogolski (piano) 

Based on a play of the same title published by Gotthold Ephraim Lessing in 1779, this film is a fervent plea for religious tolerance. Promoted as the “Film for all humanity”, the film resolves at Jerusalem during the Crusades. Concentrating on interreligious tolerance, the film shows epic scenes and melodrama in a world where Islam, Christianity and Judaism coexist in harmony.

The film will be introduced by Stefan Drössler.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

İstanbul: Before & After

İstanbul: Before & After

Selected from the Suna and İnan Kıraç Foundation Photography Collection, we present the landscapes and places in Istanbul photographs, dating from the 1850s to the 1980s, together with their present-day views!

Frida Kahlo

Frida Kahlo

Frida Kahlo was born on July 6, 1907 in Coyoacán, Mexico. Exactly 47 years from now, before she died in the same city and her beloved Mexico, many things would happen; she’d meet Diego Rivera, become a world-renowned artist, and allow many of her fans to dress like her on Halloween. 

Return from Vienna

Return from Vienna

Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.