Charlie Chaplin Shorts

Director: Mabel Normand / Mack Sennett
Cast: Charlie Chaplin, Mabel Normand
1914, Black & White, DVD
Restoration: Cineteca di Bologna Music: Uninvited Jazz Band

The festival has prepared a special programme for two ground-breaking names in silent cinema/ comedy. The programme pays tribute to Charlie Chaplin and Buster Keaton. The programme combines a selection of short movies from the debut year of Chaplin in Keystone Studios and the latest restoration of Buster Keaton’s ‘One Week’.

Films:
Mabel's Strange Predicament
Mabel's Busy Day
Caught in a Cabaret
The Fatal Mallet

The film will be introduced by Jay Weissberg.

For further info about İstanbul Silent Cinema Days, please click here.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Story of José Sancho’s Life

Story of José Sancho’s Life

He was born on April 18, 1935 in the province of Puntarenas, Costa Rica. His family migrated to the capital, San José, where in 1952 he earned a bachelor’s degree from the Lyceum of Costa Rica.

Female Attires from the Perspective of Painters

Female Attires from the Perspective of Painters

Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.

Jean-Michel Basquiat Look At Me!

Jean-Michel Basquiat Look At Me!

The exhibition “Look At Me! Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection” examined portraiture, one of the oldest artistic genres, through a significant number of works of our times. Paintings, photographs, sculptures and videos shaped a labyrinth of gazes that invite spectators to reflect themselves in the social mirror of portraits.