Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

In 2015, EYE published Fantasia of Color in Early Cinema, based entirely on its own archival holdings. Hundreds of colorful frames from more than 60 films (1897-1915) were selected to be included in this book about fairy-tale, dream, metamorphosis and voyage. This film program presents some of the highlights allowing the audience to see the entire films that are only represented by few still images in the book.

Accompanied by Gevende’s live music and introduced by Elif Rongen-Kaynakçı, following films from Eye Filmmuseum’s collection will be screening:

Album merveilleux
Les Parisiennes
Danse des Ouled-Naïls
Le Charmeur
Santa Lucia
Bloemenvelden Haarlem
Dutch Types
Lily Menagere
Les Glaces Merveilleuses
3. La Fée Aux Étoiles + La Fée Aux Pigeons
Les Grandes eaux de Versailles
Les Six soeurs Dainef
Les Tulipes or El Iris
Buona sera, fiori!

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(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Galatasaray, an Institution of Institutions | Besim F. Dellaloğlu

Is Istanbul a single city? Will Istanbul too, be one day one day divided into different sections, and numbered like the arrondisements of Paris? These are tough questions indeed! 

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Reminiscences of Motifs

Reminiscences of Motifs

As artisanship became a part of artistic practices with the blurring of art and craft, the use of traditional motifs has also flourished. In this context, how are these motifs currently structured or designed beyond their traditional connotations?