Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

In 2015, EYE published Fantasia of Color in Early Cinema, based entirely on its own archival holdings. Hundreds of colorful frames from more than 60 films (1897-1915) were selected to be included in this book about fairy-tale, dream, metamorphosis and voyage. This film program presents some of the highlights allowing the audience to see the entire films that are only represented by few still images in the book.

Accompanied by Gevende’s live music and introduced by Elif Rongen-Kaynakçı, following films from Eye Filmmuseum’s collection will be screening:

Album merveilleux
Les Parisiennes
Danse des Ouled-Naïls
Le Charmeur
Santa Lucia
Bloemenvelden Haarlem
Dutch Types
Lily Menagere
Les Glaces Merveilleuses
3. La Fée Aux Étoiles + La Fée Aux Pigeons
Les Grandes eaux de Versailles
Les Six soeurs Dainef
Les Tulipes or El Iris
Buona sera, fiori!

Sold out.

(Sur)real Colors

(Sur)real Colors

Fantasia of Color in Early Cinema

Fantasia of Color in Early Cinema

Nathan the Wise

Nathan the Wise

Different from the Others

Different from the Others

Views of Ottoman Empire Selection

Views of Ottoman Empire Selection

Charlie Chaplin Shorts

Charlie Chaplin Shorts

One Week

One Week

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Hundred Year Old Films for Pera Museum's 10th Year Fantasia of Color

Museum of Shedding <br> Dayanita Singh

Museum of Shedding
Dayanita Singh

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.

 

Female Attires from the Perspective of Painters

Female Attires from the Perspective of Painters

Due to its existence behind closed doors, the lifestyle and attires of the women in the Harem have been one of the most fascinating topics for western painters and art enthusiasts alike.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.