Alexandria Trilogy Alexandria, Why?

Director: Youssef Chahine
Cast: Ahmed Zaki, Naglaa Fathy, Farid Shawqi
Egypt, Algeria, 127’, 1978, color
Arabic with Turkish subtitles

Winner of the Silver Bear Award at the Berlin Film Festival, this acclaimed first instalment in Chahine’s groundbreaking Alexandria Trilogy takes place in 1942, as British and Arab forces fight together against German troops advancing toward Alexandria. Yehia, here representing the young Youssef Chahine, is obsessed with Hollywood musicals and dreams of studying acting in the USA; a beautiful Jewish socialite must decide between fleeing the advancing Germans with her father or staying with her Egyptian lover, who is secretly working with the Germans; a wealthy Egyptian aristocrat murders occupying troops one by one until he meets a young British soldier with whom he develops a special bond. Chahine masterfully weaves these interrelated storylines together to create a magnificent historical and autobiographical tapestry.

Silver Bear & Special Jury Prize, Berlin International Film Festival

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Fragments of Identity

Fragments of Identity

The Academy of Fine Arts in Sarajevo was founded in 1972 as the first Academy of Fine Arts in Bosnia and Herzegovina and became one of the forerunners in Bosnian contemporary art. Academy continued its operation throughout the war years (1992-1995) in besieged Sarajevo and participated in important international art projects.

Moscow Conceptualists

Moscow Conceptualists

Our institutions have been stuck on linear Neo-Platonic tracks for 24 centuries. These antiquated processes of deduction have lost their authority. Just like art it has fallen off its pedestal. Legal, educational and constitutional systems rigidly subscribe to these; they are 100% text based.

Barbara Kruger’s Practice on Power,  Capitalism, Identity, and Gender

Barbara Kruger’s Practice on Power, Capitalism, Identity, and Gender

A closer look at the life and works of the artist Barbara Kruger, who is represented with two striking works in the exhibition And Now The Good News, a selection of works from the Nobel Collection.