Alexandria Trilogy Alexandria, Why?

Director: Youssef Chahine
Cast: Ahmed Zaki, Naglaa Fathy, Farid Shawqi
Egypt, Algeria, 127’, 1978, color
Arabic with Turkish subtitles

Winner of the Silver Bear Award at the Berlin Film Festival, this acclaimed first instalment in Chahine’s groundbreaking Alexandria Trilogy takes place in 1942, as British and Arab forces fight together against German troops advancing toward Alexandria. Yehia, here representing the young Youssef Chahine, is obsessed with Hollywood musicals and dreams of studying acting in the USA; a beautiful Jewish socialite must decide between fleeing the advancing Germans with her father or staying with her Egyptian lover, who is secretly working with the Germans; a wealthy Egyptian aristocrat murders occupying troops one by one until he meets a young British soldier with whom he develops a special bond. Chahine masterfully weaves these interrelated storylines together to create a magnificent historical and autobiographical tapestry.

Silver Bear & Special Jury Prize, Berlin International Film Festival

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Andy Warhol’s Screen Tests

Andy Warhol’s Screen Tests

Between 1963 and 1966 Andy Warhol worked at making film portraits of all sorts of characters linked to New York art circles. Famous people and anonymous people were filmed by Andy Warhol’s 16 mm camera, for almost four minutes, without any instructions other than ‘to get in front of the camera’.

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Baby King

Baby King

1638, the year Louis XIV was born –his second name, Dieudonné, alluding to his God-given status– saw the diffusion of a cult of maternity encouraged by the very devout Anne of Austria, in thanks for the miracle by which she had given birth to an heir to the French throne. Simon François de Tours (1606-1671) painted the Queen in the guise of the Virgin Mary, and the young Louis XIV as the infant Jesus, in the allegorical portrait now in the Bishop’s Palace at Sens.