Director: Yousef Malouf
Cast: Philippe Akiki, Nidal Al-Askhar, Pierre Borday
Lebanon, 90’, 1962, black and white
Arabic with Turkish subtitles

Lebanese artist/poet Khalil Gibran reveals the same artistry and wisdom that have enshrined his name in the hearts of millions. With great sensitivity and lyricism, Gibran describes his youthful passion for his first love, Selma Karamy, the beautiful girl from Beirut. But theirs was a love doomed from the beginning: Social conventions and family tensions eventually force Selma to marry another man. American audiences got their first taste of this sensitive adaptation in the late sixties. Since then, all film prints were lost or destroyed ... only to be recovered recently in a church in Beirut. The Broken Wings is a film of great historical and artistic value.

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

The Vanity of Small Differences

The Vanity of Small Differences

The Vanity of Small Differences is a series of six large scale tapestries, completed in 2012, which explore British fascination with taste and class, and can be seen in the Grayson Perry: Small Differences exhibition. 

Is mutual understanding possible? <br> Berlinde De Bruyckere

Is mutual understanding possible?
Berlinde De Bruyckere

Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.  Through the biennial, we will be sharing detailed information about the artists and the artworks.

Face to Face

Face to Face

A firm believer in the idea that a collection needs to be upheld at least by four generations and comparing this continuity to a relay race, Nahit Kabakcı began creating the Huma Kabakcı Collection from the 1980s onwards.