Director: Yousef Malouf
Cast: Philippe Akiki, Nidal Al-Askhar, Pierre Borday
Lebanon, 90’, 1962, black and white
Arabic with Turkish subtitles

Lebanese artist/poet Khalil Gibran reveals the same artistry and wisdom that have enshrined his name in the hearts of millions. With great sensitivity and lyricism, Gibran describes his youthful passion for his first love, Selma Karamy, the beautiful girl from Beirut. But theirs was a love doomed from the beginning: Social conventions and family tensions eventually force Selma to marry another man. American audiences got their first taste of this sensitive adaptation in the late sixties. Since then, all film prints were lost or destroyed ... only to be recovered recently in a church in Beirut. The Broken Wings is a film of great historical and artistic value.

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Girl in a Blue Dress

Girl in a Blue Dress

This life-size portrait of a girl is a fine example of the British art of portrait painting in the early 18th century. The child is shown posing on a terrace, which is enclosed at the right foreground by the plinth of a pillar; the background is mainly filled with trees and shrubs. 

The Big Country

The Big Country

When the Royal Academy of Arts offered Stephen Chambers the opportunity to produce new work for a focused exhibition in the Weston Rooms of the Main Galleries, Chambers turned to print and the possibilities it offered.