Director: Merzak Allouache
Cast: Boualem Benani, Aziz Degga, Farida Guenaneche
Algeria, 90’, 1977, color
Arabic, French with Turkish subtitles

A watershed film, Omar Gatlato holds a mirror up to Algerian male culture...and the mirror cracks. The title refers to the expression ""gatlato al-rujula""—or, roughly, ""machismo killed him""—and the film's mordant insights into male posturing and alienation in Algerian society animate this bit of folk wisdom. In mock documentary style, a young man recounts with wry commentary a typical day in his life in the Bab el-Oued quarter of Algiers, while the camera playfully shows a different story. In following Omar and his friends in their pursuit of happiness, the film examines with shrewd humour the gang values of urban youth—their passion for popular culture (soccer, ""Hindoo"" movies, Rai concerts); their hidden fear of women; their social insecurity in an environment where they are marginalized.

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Interview with Isabel Muñoz <br> By Merve Akar Akgün

Interview with Isabel Muñoz
By Merve Akar Akgün

Isabel Muñoz is a Spanish photographer renowned for her captivating monochromatic portraits of individuals and cultures from around the world. Her works have been widely exhibited in numerous galleries and museums globally. 

Midnight Horror Stories:  The Moon Pool <br> Işın Beril Tetik

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Işın Beril Tetik

About a year ago, Ela was dead for seven minutes. Death had come to her as she was watching her younger brother play gleefully in the sandpit at the park. A sudden flash that washed her world with a burning white light, a merciless roar resembling that of a monster… 

Portrait of a Bullfighter (1797)

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The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.