Director: Merzak Allouache
Cast: Boualem Benani, Aziz Degga, Farida Guenaneche
Algeria, 90’, 1977, color
Arabic, French with Turkish subtitles
A watershed film, Omar Gatlato holds a mirror up to Algerian male culture...and the mirror cracks. The title refers to the expression ""gatlato al-rujula""—or, roughly, ""machismo killed him""—and the film's mordant insights into male posturing and alienation in Algerian society animate this bit of folk wisdom. In mock documentary style, a young man recounts with wry commentary a typical day in his life in the Bab el-Oued quarter of Algiers, while the camera playfully shows a different story. In following Omar and his friends in their pursuit of happiness, the film examines with shrewd humour the gang values of urban youth—their passion for popular culture (soccer, ""Hindoo"" movies, Rai concerts); their hidden fear of women; their social insecurity in an environment where they are marginalized.
When regarding the paintings of Istanbul by western painters, Golden Horn has a distinctive place and value. This body of water that separates the Topkapı Palace and the Historical Peninsula, in which monumental edifices are located, from Galata, where westerners and foreign embassies dwell, is as though an interpenetrating boundary.
Józef Brandt harboured a fascination for the history of 17th century Poland, and his favourite themes included ballistic scenes and genre scenes before and after the battle proper –all and sundry marches, returns, supply trains, billets and encampments, patrols, and similar motifs illustrating the drudgery of warfare outside of its culminating moments.
Published as part of Pera Learning programs, “The Little Yellow Circle (Küçük Sarı Daire)” is a children’s book written by Tania Bahar and illustrated by Marina Rico, offering children and adults to a novel learning experience where they can share and discover together.
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