Director: Jocelyne Saab
Cast: Jacques Weber, Hala Bassam, Juliet Berto
Lebanon, France, Canada, Argentina, 90’, 1985, color
Arabic, French with Turkish subtitles

The first film shot in post-war Lebanon, A Suspended Life is set in Beirut ten years into the conflict. Hala, a child of the war, finds relief from the chaos around her through Egyptian movies she watches on television. Karim, an artist in retreat from life, remains in his apartment in war-torn West Beirut, confident that he is safe in his familiar neighbourhood. An unlikely bond is formed between the two as they face the devastating civil war. A tale of poetic truth, A Suspended Life examines the ways in which war brings people together as well as tearing them apart. "I've invented places," writes director Jocelyne Saab, "as if by making a work of fiction about them, I could preserve them."

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Dancing on Architecture

Dancing on Architecture

I think it was Frank Zappa – though others claim it was Laurie Anderson – who said in an interview that ‘writing on music is much like dancing on architecture’. 

Artist Nicola Lorini in Conversation

Artist Nicola Lorini in Conversation

Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.

Portrait of a Bullfighter (1797)

Portrait of a Bullfighter (1797)

The man is depicted in three-quarters view, turning straight to the viewers with a penetrating glance. The background is grey, while the clothes, the hair, and cap are black.