Director: Youssef Chahine
Cast: Oussama Nadir, Mohsen Mohieddin, Nour El-Sherif
Egypt, 120’, 1982, color
Arabic with Turkish subtitles
Acclaimed actor Nour El Cherif here plays Egyptian filmmaker Yehia Mourad some thirty years after we last see him in Alexandria, Why?. Though successful in his work, Yehia has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that yehia must undergo emergency surgery. As doctors labor to save his heart, a trial ensues within the director's own body, where the juvenile Yehia is accused of attempting to assassinate the adult Yehia. Testimony is given by the director's mother, sister, wife, and other prominent figures in his life, as scenes of Yehia's past unfold before our eyes. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities
He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.
Pera Museum, in collaboration with Istanbul Foundation for Culture and Arts (İKSV), is one of the main venues for this year’s 15th Istanbul Biennial from 16 September to 12 November 2017.
Each memory tells an intimate story; each collection presents us with the reality of containing an intimate story as well. The collection is akin to a whole in which many memories and stories of the artist, the viewer, and the collector are brought together. At the heart of a collection is memory, nurtured from the past and projecting into the future.
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