Alexandria Trilogy An Egyptian Story

Director: Youssef Chahine
Cast: Oussama Nadir, Mohsen Mohieddin, Nour El-Sherif
Egypt, 120’, 1982, color
Arabic with Turkish subtitles

Acclaimed actor Nour El Cherif here plays Egyptian filmmaker Yehia Mourad some thirty years after we last see him in Alexandria, Why?. Though successful in his work, Yehia has grown distant from his wife and children and suffers a symbolic blockage of the heart while shooting the final scenes of his latest film. After being flown to England for evaluation, it's determined that yehia must undergo emergency surgery. As doctors labor to save his heart, a trial ensues within the director's own body, where the juvenile Yehia is accused of attempting to assassinate the adult Yehia. Testimony is given by the director's mother, sister, wife, and other prominent figures in his life, as scenes of Yehia's past unfold before our eyes. Fact and fiction blend seamlessly—with healthy doses of cleverly absurdist fantasy—as the film explores the various personalities

Chronicle of the Year of Embers

Chronicle of the Year of Embers

A Suspended Life

A Suspended Life

Date Wine

Date Wine

Omar Gatlato

Omar Gatlato

Umm Kulthum, A Voice Like Egypt

Umm Kulthum, A Voice Like Egypt

The Broken Wings

The Broken Wings

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Again and Forever

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy Alexandria, Why?

Alexandria Trilogy An Egyptian Story

Alexandria Trilogy An Egyptian Story

Today's Stories: Coal <br>Pelin Buzluk

Today's Stories: Coal
Pelin Buzluk

Inspired by the exhibition Istanbuls Today, Today's Stories series starts with Pelin Buzluk's story "Coal"! TThis series gathers short stories written by authors encouraged by the photographs in the exhibition.

Midnight Stories: COGITO <br> Tevfik Uyar

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Tevfik Uyar

He had imagined the court room as a big place. It wasn’t. It was about the size of his living room, with an elevation at one end, with a dais on it. The judges and the attorneys sat there. Below it was an old wooden rail, worn out in some places. That was his place. There was another seat for his lawyer. At the back, about 20 or 30 chairs were stowed out for the non-existent crowd.

Audience with the Mad King

Audience with the Mad King

Celebrating its 10th anniversary this year, Pera Museum invites artist Benoît Hamet to reinterpret key pieces from its collections, casting a humourous eye over ‘historical’ events, both imagined and factual.