At the Order of the Padishah

28 November 2014

Franciszek Żmurko

“At the Order of the Padishah”, Franciszek Żmurko, 1888. Oil on canvas, 135,5 X 240 cm.

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. The carefully arranged pose of the woman ensures compliance with the aesthetic canon of academism, discreetly eliding the drastic physiological details of death by strangulation. The fact that we are beholding a lifeless –but still beautiful – body is indicated only by the red cord visible at the odalisque’s neck. The dramatic import of this violent death in the oppressive, darkly sensuous atmosphere of the harem is amplified by the device of closing in the visual space with the heavy draperies surrounding the bed, the dishevelled sheets, the scattered furnishings and costly baubles, and the deep contrasts of darkness and light modelling the woman’s body, with its delicate carnation and fine contours.

This intoxicating combination of sumptuous scenery, unsettling eroticism, and death emanating from Żmurko’s painting was very much in tune with the prevailing tastes of the time. The elegant bourgeoisie, bored in its languid material contentment, welcomed stimuli of ecstasy and terror disguised in the props of exotic imaginary worlds. These provided a psychological respite from the convention-bound salons of polite society. At the Order of the Padishah, painted soon after Żmurko’s return from Paris, ranks among his strongest works, combining a well-balanced composition with adroit rendition of the opulent paraphernalia scattered about, a tastefully subdued colour palette and the perfection of the academic finis.

Ewa Micke-Broniarek

At the Order of the Padishah

At the Order of the Padishah

In this piece, Żmurko presents an exotic image of a harem chamber, replete with gleaming fabrics and scattered jewels, as a setting for the statuesquely beautiful body of an odalisque murdered “at the order of the padishah”. 

The Battle of Varna

The Battle of Varna

Over the years of 1864 through 1876, Stanisław Chlebowski served Sultan Abdülaziz in Istanbul as his court painter. As it was, Abdülaziz disposed of considerable artistic talents of his own, and he actively involved himself in Chlebowski’s creative process, suggesting ideas for compositions –such as ballistic pieces praising the victories of Turkish arms. 

The Captive Sultan

The Captive Sultan

The war fought by the Greeks to shake off the Turkish yoke was closely observed around Europe and, this being the era of romanticism, the events taking place around Greece between 1821 and 1832 became a symbol for national liberation struggle.