2014, Blu-Ray, Color, 79’, German, English subtitles, Germany
Director: Claudia Richarz, Ulrike Zimmermann

“Showing a vulva frightens away bears, lions, makes wheat grow, calms storms and frightens devils. The devils run away. Vulva protects the world. Vulva is mighty, the one capable of all.” In a world where the visibility of female genital is not possible and acceptable, just like this description, directors Claudia Richarzand, Ulrike Zimmermann search the non sensational history of women’s body from 16th to 21st centuries. Celebrating the diversity of women’s body…

The Lost Honor of Katharina Blum

The Lost Honor of Katharina Blum

Reel Herstory: Real History of Reel Women

Reel Herstory: Real History of Reel Women

No Corpse Dumping / Cordelias / Sad Monsters

No Corpse Dumping / Cordelias / Sad Monsters

Vulva 3.0

Vulva 3.0

The Truth Beneath The Ground Guatemala, Silenced Genocide

The Truth Beneath The Ground Guatemala, Silenced Genocide

Kiki of Montparnesse / NewBorns / Blue Blue Sky / #SlutWalkNYC / Cousin Bert / The Centipede and The Toad

Kiki of Montparnesse / NewBorns / Blue Blue Sky / #SlutWalkNYC / Cousin Bert / The Centipede and The Toad

A Cup of Turkish Coffee / Doodle / Child’s Play / Ziazan

A Cup of Turkish Coffee / Doodle / Child’s Play / Ziazan

Hijabi Girls / The Easter Crumble / The Vast Landscape-Porcelain Stories / Matilde The Big Shake / Pulse

Hijabi Girls / The Easter Crumble / The Vast Landscape-Porcelain Stories / Matilde The Big Shake / Pulse

Piecemeal Ostim

Piecemeal Ostim

Marussia

Marussia

Diyar

Diyar

Blue Wave

Blue Wave

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on the facade of our building?

Have you noticed the gigantic photo on our façade? Our Cold Front from the Balkans exhibition focuses on different generations of artists and art groups from the Balkan region.

Loading Limit

Loading Limit

Pera Museum presented a talk on Nicola Lorini’s video installation For All the Time, for All the Sad Stones, bringing together the artists Nicola Lorini, Gülşah Mursaloğlu and Ambiguous Standards Institute to focus on concepts like measuring, calculation, standardisation, time and change.

Giacometti in Paris

Giacometti in Paris

The second part of exhibition illustrates Alberto Giacometti’s relations with Post-Cubist artists and the Surrealist movement between 1922 and 1935, one of the important sculptures series he created during his first years in Paris, and the critical role he played in the art scene of the period.