2013, Blu-Ray, Color, 82’, French, Russia, English Subtitled, France, Russia
Director: Eva Pervolovici, Script: Eva Pervolovici, Monica Stan, Cinematographer: Alfredo Altamirano, Editing: Dounia Sichov, Sound: Fabrice Osinski, Momchil Bozhkov, Music: Vitto Mereilles, Production: Kinoelektron, Cast: Dinara Drukarova, Denis Lavant, Marie-Isabelle Stheynman
Lucia from Russia and her six year old daughter find themselves living in Paris streets. They don’t have a stable residence, they sleep wherever they find. One night in the house of a Russian priest, another night in the social services centre or a four star hotel. They live each day as the day their life would change, meet different people, aimlessly wander around and wait for the miracle that would find them. Because their lives don’t change as they hoped and they started to sleep under the bridge, Russian community buy them tickets to go back home. Maruissa rebels her mother and runs away. On the other hand, she wants to know what a real childhood is like. But what would Lucia do?
Inspired by its Anatolian Weights and Measures Collection, Pera Museum presents a contemporary video installation titled For All the Time, for All the Sad Stones at the gallery that hosts the Collection. The installation by the artist Nicola Lorini takes its starting point from recent events, in particular the calculation of the hypothetical mass of the Internet and the weight lost by the model of the kilogram and its consequent redefinition, and traces a non-linear voyage through the Collection.
In 1493, exactly 500 years ago, Leonardo da Vinci was finishing the preparations for casting the equestrian monument (4 times life size), which Ludovico il Moro, Duke of Milan commissioned in memory of his father some 12 years earlier.
A series of small and rather similar nudes Bedri Rahmi Eyüboğlu and Eren Eyüboğlu produced in the early 1930s almost resemble a ‘visual conversation’ that focus on a pictorial search. It is also possible to find the visual reflections of this earlier search in the synthesis Bedri Rahmi Eyüboğlu reached with his stylistic abstractions in the 1950s.
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