2014, DigiBeta, Color, 60’, Maya Language, Spanish, Spanish, English Subtitled, Spain
Director: Eva Vilamala, Script: Eva Vilamala, Cinematographer: Eva Vilamala, Mireia Sallarès, Editing: Eva Vilamala, Sound: Idea Sonora, Music: Paulo Alvarado, Production: Photographic Social Vision
In Guatemala, between 1960 and 1966, more than 200.000 people were killed in systematic oppression and massacres, in parts where Mayas were the majority. Photographer Miquel Dewever-Plana brings together exhuming processes and his testimonies in a book namesake as the film. Years after, Mayas come back for this book which tells their own story.
If Manolo Valdés’s paintings convey a search for materiality, his sculpture does so even more. Today, sculpture has taken over most of his workspace, his time, and his efforts.
A Salon exhibition held in the Grand Palais in Paris on May 1, 1906 showcased an Ottoman painting. This was Osman Hamdi Bey’s famous “Tortoise Trainer”.
In the works of western painters, we encounter mosques as the primary architectural elements that reflect the identity of the city of Istanbul. Often we can recognize the depicted landscape as Istanbul simply from the mosques.
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